Benefits And Risks Of A Foreign Investment Project

Introduction Expanding business activity to a foreign country presents many opportunities and risks. Rewards and risks has to be analyzed and weighted carefully before committing capital for a foreign investment project. Socioeconomic as well as cultural factors must be considered since countries vary in levels of wealth, education, needs and wants. China and Iraq has many differences politically as well as socioeconomically and culturally; therefore, both countries present different levels of risk and opportunity. Furthermore, both countries have different degree of barriers that a company has to deal with before entering the markets. Careful evaluation of political, cultural, and socioeconomic factors must be completed to decide if†¦show more content†¦Also, there is a wide disparity between rural China and densely populated cities like Shanghai and Beijing. Urban regions being much more prosperous, Chipotle should focus on densely populated areas first. Iraq being very politically unstable country failed to create a good economic environment for businesses to succeed. Therefore, income levels in Iraq are extremely low. The country has GDP per capita of $4,629, which is almost two times lower than China. Not accounting for political and other risks, Iraqi people simply do not have enough income to eat out. This factor alone makes Iraq not suitable for expansion. Education Average expected years of education in China is 13.1 years which is about two and a half years less than the US. Education is an important factor in any country since it is a determining factor for not only country’s production but also equality levels. Iraq’s average expected years of schooling is 10.1 which is much lower than the U.S. The education level is a good predictor of prosperity, equality, and stability of a country. Therefore, it’s not surprising that Iraq is not perceived to have favorable business environment. While China is catching up the developed countries and becoming more attractive for foreign investors. Cultural Factors China and Iraq are vastly different countries to operate a business in.

Organizational Culture And Its Impact On Business Performance

Organisational culture refers to a structure of shared perceptions, ideologies and beliefs that present the suitable and unsuitable behaviours to the organisation’s employees. .These principles have a huge effect on employee attitudes and overall organisational performance. Corporate culture could become one of the organisation’s strongest assets or its biggest liability, based on strategies utilised by managers to share customs and values with employees. . The culture, traditions and shared values within an organisation could lead to in enhanced corporate performance. Researchers have discovered that a relationship between corporate culture and company performance, regarding indicators that includes revenues, sales volume, market share and stock prices. This was reflected in the 2007 survey conducted by Bain and Company exhibited results that identified business culture is an important strategy for its corporate success An organisation’s corporate culture would have a great influence on several of its managerial decisions. These include planning, organising, leading and controlling. Strong work place cultures serve as an asset to the organisation, providing them greater that will allow the firm to enhance its organisational performance. In contrast a weak culture serve as detrimental to organisational growth, depleting the level of organisational accomplishments. Cultures with elements such as widely shared values, employee awareness of the culture, strong relationshipShow MoreRelatedOrganizational Structure And Culture Impact On The Performance Of The Business2025 Words   |  9 PagesTask 1 Compare and contrast different organisational structures and culture (1.1) Explain how the relationship between an organisation’s structure and culture can Impact on the performance of the business (1.2) Discuss the factors which influence individual behaviour at work (1.3) Task 2 Compare the effectiveness of different leadership style in different organisations (2.1) Explain how organisational theory underpins the practice of management (2.2) Evaluate the different approaches to managementRead MoreOrganizational Culture And Its Impact On Business Success And Employee Performance1771 Words   |  8 PagesOrganisational Culture and its Impact on Business Success and Employee Performance Organisational or corporate culture is a broad concept. 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(20 marks) Organizational controls guide the use of strategy, indicate how to compare actual and expected results, and suggest actions to take to improve performance when it falls below expectations. When properly matched with the strategy for which they were intended, structure and controls can be a competitive

Innocence Theme in Catcher in the Rye Free Essays

Innocence Themes in literary works are recurring, unifying subjects or ideas, motifs that allow us to understand more deeply the characters and their world. In The Catcher in the Rye, the major themes reflect the values and motivations of the characters. Some of these themes are outlined in the following sections. We will write a custom essay sample on Innocence Theme in Catcher in the Rye or any similar topic only for you Order Now As its title indicates, the dominating theme of The Catcher in the Rye is the protection of innocence, especially of children. For most of the book, Holden sees this as a primary virtue. It is very closely related to his struggle against growing up. Holden’s enemy is the adult world and the cruelty and artificiality that it entails. The people he admires all represent or protect innocence. He thinks of Jane Gallagher, for example, not as a maturing young woman but as the girl with whom he used to play checkers. He goes out of his way to tell us that he and Jane had no sexual relationship. Quite sweetly, they usually just held hands. Holden comforted Jane when she was distressed, and it bothers him that Jane may have been subjected to sexual advances from her drunken stepfather or from her date, Holden’s roommate, Stradlater. Holden’s secret goal is to be â€Å"the catcher in the rye. † In this metaphor, he envisions a field of rye standing by a dangerous cliff. Children play in the field with joy and abandon. If they should come too close to the edge of the cliff, however, Holden is there to catch them. His attitude seems to shift near the end of the novel when he realizes that Phoebe and other children must be allowed to â€Å"grab for the gold ring,† to choose their own risks and take them, even though their attempts may be dangerous. How to cite Innocence Theme in Catcher in the Rye, Papers

El Greco Essay Example For Students

El Greco Essay The Agony In the Garden, a mannerist style of art by EL Greco, proclaims a sense of spiritual power of religious faith which accomplishes El Grecos aim to move his audience. El Greco was born on the island of Crete and lived from 1541 to 1614. He represented the most characteristic figure of Spanish Mannerism. El Greco was influenced by and became acquainted with the art of Titian and Jacopo Bassano in Venice where he studied in 1566. In addition to visiting Italy, El Greco made his way to Rome, Parma and probably Florence. On his travels he became more familiar with the work of Parmigianino and the work of Correggio. In El Grecos use of form can be seen Florentine Mannerism. Venetian Mannerism can be seen in the peculiar brilliance of his coloring. The plans for the construction of the Escurial and the discussion of works of art being selected by Philip II, probably attracted El Greco to Spain. However, El Greco failed to satisfy the Italianate tastes of the King. He lived virtually uninterruptedly in Toledo from 1575 on. In Toledo he formed friendships with men of advanced beliefs and humanist interests. The monastic, from which his prime commitment came, were glad to ecorate their churches and cloisters with his elevated visionary paintings. El Greco paintings bordered on a supernatural world of creative fantasy. Most of his paintings survive in a number of copies painted in his own hand. El Grecos studio which employed a large number of assistants also produced many contrasts of his works. People were very curious about his paintings with their unusual setting and flickering impressiveness. In The Agony In The Garden there are two planes displayed in the art work that are disconnected by a few bare branches that contain fugitive leaves. The upper plane onsists of the vision of Christ set against a large rock with a few trees. Christ is kneeling in a reddish-purple robe, with hands stretched out toward the ground. He turns toward the floating angel who is painted in pearly greys. Behind the angel, on the left are spinning clouds. Preceding from an outline of an imaginary town, on the right, are soldiers carrying flags. The inconceivable impression of the picture is due to the contrast of not only passionate and cerebral but in terms of colour- between the two planes and their figural content as well. This painting is the last date of the El Greco pictures in Budapest and is from the ast period of the artists life. The Biblical occurrence illustrated is standardized on two levels, one above the other. The group of the three sleeping apostles fill the lower plane. We find comparable groups of apostles in pictures by Giovanni Bellini. El Greco returns to Quattrocento etiquette, especially in the manner in which the sleeping gray-haired apostle bends his arm around his head. Of the abundant versions of this painting in the artists own hand there is a smaller copy in the Museum at Lille, and other variants are to be found in the Episcopal palace in the Museum of Fine Arts in Buenos Aires. The variant most similarly related to the painting in Budapest is the larger-scale version in the Church of Santa Maria at Andujar which displays other works of mannerist art. The mannerist style thrived at the same time as High Renaissance and Baroque art. Mannerism, like many other names attached to so many other periods of art, was a name conceived in disdain and impudence. Maniera, meaning maner, was correlated with the artist who worked in the manner of someone else. Like an imitator who adapted and sometimes perfected the forms of another. However, there are characteristics of the Bluffing: Business Ethics and Carr EssayThrough the proficient genius of El Greco, who took a acute interest in the intellectual currents of his time the style spread as far as distant Spain. At the same time that Spanish and French invaders were in control of Italy, France, Spain, England and the German city states were fighting their own long-enduring wastes. The characteristics of Mannerism first made their appearance in the full during the period of the classical Renaissance. It began to spread and finally it prevailed. Similarly, in the second half of the sixteenth century, the Baroque style began to come forth and conquer. The judgment of the Council of Trent ran counter to the philosophy as well as the literature and art of the Renaissance. The decisions also disagreed with both the sprit of classical mythology and the conclusions of natural sciences. In fact they engage in active battle for absolutism in the rule of the Church and the temporal monarch. The hurches of the Jesuit order considered the new standard in art. They did not advocate silent dedication, they were designed as mediums for the preacher and the religious propagandist. Making use of the documents and the characteristics of the Mannerists artists, the new style was a form of assertion which alarmed a sacred faith in the believer, giving him an active sense of partaking in the mysteries of religion. The solemn guaranty of the Renaissance portraits, the stiff and chill portraits of Mannerism were replaced by radiant allegorical representations of the dominant princes and monarchs producing a eeling of awe and acquiescence before their almost superhuman power in the spectators breast. Paintings were of classical gods and goddesses, extraordinary in flying draperies and their fervid and unsettled indications. However, this was all that cultivated Europe had in common during the Baroque period. The international similarity of Mannerist art which had lasted for about a century, disintegrated England, but the widespread notions of art began to contrast in France, Italy and Spain. The bourgeois perspective of the Dutch Baroque naturally familiarized the Dutch painters towards realism. There is no dilemma in determining whether one is looking at the work of a Northern or Southern arts, an Italian or a Dutch. The national characteristics break through the thin international coating that developed during the Mannerist period. The diffusion and victory of Baroque art was at the same time a success for unique national characteristics. Some Mannerist artist were able to combine themselves in the melting pot of the European public and benefited most form the prudent principles of their times. A Baroque painter even conserved his national characteristics. Baroque made use of characteristics of the Mannerist style by engaging and future maturing them. There was more unity in Mannerist styles outweighing ideas and more variance in its forms of presentation. Classicism, however, was piercingly against everything mutual to Mannerism and the Baroque. It condemned Mannerism in some unstable terms, with all its integrity and corruptions. The Masters, such as El Greco were forgotten, but that taste in art could not be hidden forever. Mannerist art came back to life after it had been dead for a few centuries. It fist came back to life with the discovery of El Greco and others.